Dance Class
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This year has been off with a bang! We started the school year with a full roster of classes in our Dance Center, and a long list of in-school residencies on our schedule including Laurelhurst, HayHurst, View Acres and more!
So far this year in school has been delightful for me, in part because of our amazing Education Intern, Treszka Bench (her help in residencies and at our front desk has been priceless), and in part because of our first K-5 dance and science integrated residency was at SpringWater Environmental Sciences School in Oregon City.
I always enjoy the students, at any school I go to. The light that they bring into a room, no matter their mood, is so strong. The same was true for Springwater, the students are amazing, intelligent, respectful and always willing to try something a little quirky. But I most enjoy the teachers. It is not often in our school systems that an artist can work alongside teachers in a positive, uplifting and supportive way. The teachers at Springwater were always available when I had curriculum questions, logistical needs, or an extra pair of eyes. What a treat; with a great assistant and attentive teachers I was the luckiest teaching artist in Oregon!
One of the most important things to me about integrating any academic studies with a dance lesson is that its something the students are specifically working on at the same time in their classrooms. I really go in and focus on my expertise, teaching dance—in the schools, I generally work with creative dance unless I have a specific request for modern, jazz, ballet etc. Throughout the lesson I keep the academic focus in mind, and find ways to integrate it, however I let the students be the experts in the subject matter.

I create the dance “problems” and they solve them using the movement knowledge they’ve gained from me, and the subject knowledge they gained in their classroom. For example, one of the problems for the 2/3 classes at Springwater was to choose three US National Symbols (such as the eagle, Statue of Liberty and the Liberty Bell) and in small group of 4-5 people create four shapes that demonstrate one, some or all of those symbols. The amount of teamwork, brain power and creativity that went into their work was astonishing and touching!
We can all hope and work for the day when each child in school has the opportunity to participate in arts classes that enrich their creative spirit and interpersonal skills—until then, I’m so excited to be doing my part in opening doors for curiosity, learning and passion!
~Renee
Comments
Two Methods, one classroom
Hi Renee,
I enjoyed your post. I know what you mean about the light kids bring into the room - *no matter their mood!* I teach in dance in schools and community centers as an Art Specailist with Youth City Artways here in Salt Lake City. Recently, I have been once again researching and speaking with other Teaching Artists about methods of integrating dance into the school curriculums. I notice two modes:
1. Single Track integration: This method explores the direct correlation between dance and the subject.
example: 5 x 7 = 35 ; if you repeat five of the same dance steps seven times, you will have done thirty five moves.
2. Two track, parralell structure: This method finds the larger truth of dance and the school subject and explores them along side each other.
example: 5 x 7 = 35 ; Muliplication is a condensed expression of addition that saves space on paper (compared to 5+5+5+5+5+5+5=35) and simplifies the expression. As a dancer, being mindful of space makes it easier to dance around others. How does simplifing movement effect what the dance is trying to say?
Reflecting on these methods, I found I use both, but wonder about the effectiveness of each. I am wondering what your thoughts are and what you find most effective in class rooms or with certain subjects.
I look forward to your insight! Thanks for reading, and just in case, let me wish you a fine Thanksgiving!
Best,
Hillary
hillary.vanm@gmail.com