
Since its founding in 1997, BodyVox has garnered international acclaim for its ingenuity, creativity and unique approach to theater that assimilates all possibilities for movement, endows it with breathtaking physicality, enriches it with striking imagery and embellishes it with humor, wit and whimsy to create refined dancing that knows no boundaries.
“BodyVox: A kinetic storm of creativity, physicality and wit. A downpour of amazing dancers. A true force of nature in the world of dance.”
Paul King and Walter Jaffe, White Bird
Whether it's a bunny hunt with Mitchell Froom, a journey into Americana with Bill Frisell or going down on the Titanic with Sibelius, BodyVox’s singular union of dance, theater and film creates a show that is challenging and engaging for committed dance fans while also remaining accessible to new audiences. This exciting touring program is built of highlights from our many productions over the last 14 years, making it the best of the best.
Season XV tours with 8 Dancers and 2 Technicians. BodyVox Tour performances include an outreach element that is developed in collaboration with the presenter.
Kaleidoscope
choreography: Jamey Hampton and Ashley Roland
music: John Adams
Stop
choreography: Jamey Hampton and Ashley Roland
music: Joe Henry
S.O.S.
choreography: Jamey Hampton
music: Jean Sibelius
Film: Unleashed
film: Mitchell Rose
music: Johannes Brahms
Untitled Brief
choreography: Eric Skinner
music: Steve Reich
Dual Images
choreography: Eric Skinner
music: Claude DeBussy
Usual Suspects
choreography: Jamey Hampton and Jonathan Wolken
music: 3-Leg Torso, Rita Marcotelli, Frédéric Chopin
The Bunny
choreography: Jamey Hampton and Ashley Roland
music: Mitchell Froom
Film: Advance
film: Mitchell Rose
music: William Goodrum
A Good Man is Hard to Find
choreography: Daniel Kirk
music: Tom Waits
Alice
choreography: Jamey Hampton
music: Tom Waits
Bottom of the World
choreography: Jamey Hampton and Ashley Roland
music: Tom Waits
Shed
choreography: Jamey Hampton and Ashley Roland
music: Bill Frisell
Photo by: Steve Cherry, Polara Studio